Monday, February 02, 2026

Where to buy DRM-free digital comics in February 2026

Publishers:

Rebellion/2000ad/Judge Dredd: https://shop.2000ad.com/ offers periodic sales

Dynamite: https://www.dynamite.com/digital/ solid resource, sales aren't that great, selection is iffy

Avatar Press: https://www.comcav.net/pages/digital have had good sales, selection seems to have stagnated over the years

Mad Cave Studios: https://madcavestudios.com/series/

Alterna Comics: https://www.alternacomics.com/digital

Vault Comics: https://vaultcomics.com/collections/comics

Panel Syndicate: http://panelsyndicate.com/

Cloudscape: https://cloudscape.gumroad.com/

Retailers:

Neon Ichiban: https://neonichiban.com/ the big one here is they offer Marvel pdf backups that are watermarked with your name twice and neonichiban running vertically on every page, but technically, the pdfs are not actively drm-ed. IMO the one to watch for, if they convinced marvel/dc of this, plus their marketplace, would be really interested to know what else they have up their sleeve.

DriveThruComics: https://www.drivethrucomics.com/en/ has topcow, dark horse, rebellion, others.

Google Play: https://play.google.com/store/search?q=image%20comics&c=books has image comics drm-free options, haven't checked other publishers. Flew under my radar for years.

GlobalComix: https://globalcomix.com/downloads/

eManga: https://emanga.com/collections/all/digital

Amazon: https://kdp.amazon.com/en_US/help/topic/GDDXGH9VR22ACM8U Amazon reactivated drm-free options at the end of January 2026, but many (all?) publishers have yet to activate this feature.

Bundles:

Humble Bundle: https://www.humblebundle.com/books the steady hand of drm-free comics for over a decade (2014 i believe) is also the best deal in digital comics. Image, Dynamite, Dark Horse, IDW, Top Shelf, Rebellion, Boom, Oni, Aspen, Archie, Kodansha, even Humanoids have appeared heavily here. Knock the slider down as low as possible for HB (they lock in a certain minimum anyways) and kick it up for charity/publisher if you wish.

Fanatical: https://www.fanatical.com/en/bundle/books a great resource that seems to be expanding their offerings

Thursday, March 30, 2017

2015 Best of Metal

LOVE this thread you do every year, David. I'm checking out the Kamasi Washington release right now.

Most of my listening is guitarist driven heavy metal (guitarists are the primary songwriter or showcase) so here we go:

In Hearts Wake - Skydancer - somehow they topped Earthwalker (this was recorded along with Earthwalker during the same session). Album of the year.


Rivers of Nihil - Monarchy. Tech death with some thrash. With bands like this, Revocation, Black Crown Initiate, american metal is in an outstanding place.


Tesseract - Polaris.


Gorod - A Maze of Recycled Creeds. The tech death masters put out another monster release.


The Gorod and Tesseract releases are of the same ilk: slightly lesser followups, but still absolutely great albums.

Ghost Ship Octavius - debut album showcasing Adon Fanion's monster melodies with ex-God Forbid and ex-Nevermore relations. This was supposed to be Chris Amott's post-Arch Enemy career but he left and so we got this monster record. As an aside, this is why I love it when bands split up (and do solo projects) cuz you get more music from your favorite artists.


Armageddon - Captivity and Devourment - Chris Amott's reactivated sometimes death metal project, back to doing death metal.


Notable debuts:

Visigoth - The Revenant King - great power metal from Utah


Good Tiger - A Head Full of Moonlight - Elliot Coleman finally gets a vehicle to shine


Farmikos - Joe Holmes, finally, puts a record out (and it's great!)

Monday, June 20, 2016

HeroesCon 2016 Haul

HeroesCon 2016 score Mike Henderson 5x5s Eryk Donovan Matthew Roberts Wilfredo Torres Michel Fiffe Charles Forsman Orion by Ron Salas HeroesCon 2016

Sunday, June 21, 2015

Here's my HeroesCon oa haul. I crossposted this with the HeroesCon thread.

I met Jason, David, Stringer, and Mario just as I was leaving Saturday, and Monsta on Friday and they were all great, it's really an honor (and nerve-racking, what's wrong with me? I apologize I was a mess) to meet them. I've been going to HeroesCon for most of the past 15 years and this was the first year I ever went with the intention of getting art and was like a chicken with my head cut off, though the past eps the guys have given great tips (though my weight gain made my deodorant fail me after 3 hours of back issue bin diving on sat/sun). Last year I got my first ever oa (3 Bernard Chang GLC pages) so that whet my appetite for this year, plus the fact that 99% of the tablers were selling prints for a $20 minimum this year made me jump in the oa pool. I don't get why prints went from $10-$20 skipping 9 other dollars over the past year or two, but I'm sure there's a reason. David also gave great advice that so long as the page you buy is the only one floating out there, that's what he's comfortable with (I bought an ink over blueline page).

Overall, really happy but Jason Wood's point of getting there early is extremely on point, as I missed out on at least 50% of the guys I wanted to, and not having a specific plan (outside of visiting artist X's table) cost me big time too. Next year I'm taking those points as iron clad rules rather than suggestions, and the plan is likely sketch covers and commissions, with minimal pages. I found a really cool thing to do was to ask an artist you're getting stuff from where you should go next.

As I spent most of my time in artist's alley this year, what was crazy to me is the amount of news and just bantering you'll hear or be given just by asking "what's happening?" A great HeroesCon, and was glad to meet the podcast people. Here are some of the stuff I got


Judge Fear by Matthew Allison


Orion by Wilfredo Torres

Judge Dredd by Michel Fiffe


Green Lantern New Guardians #36 page 8 Marc Deering inks over Diogenes Neves blueline


Princess Ugg page by Ted Naifeh


Orion by Marc Lynn Thomas

Tuesday, April 14, 2015

The Orion Omnibus just arrived in the mail and it's fantastic. I know Walt put this on blast a month ago for not including the backups directly after their respective issue (the backups are included after the main story), and it does sour it a bit that he's not entirely happy, but the thing is gorgeous and PACKED with extras. Walt mentioned on facebook that DiDio would look into correcting this if it goes to paperback. If you're on the fence about this, I'd say without hesitation go for it. The oversized treatment, on white pages, makes the work look even better.



Extras include what I'm guessing is the Tales of the New Gods tpb, Walt's work on the New Gods vol 4/Jack Kirby's Fourth World series, numerous sketch/pencilled pages, and a cover Gallery of his New Gods vol 4/Fourth World stuff (he did all the covers for JKFW). All of the Orion covers are printed without dress and it makes them even better (though I do miss seeing "ORION RULES" on #8). The Tales of the New Gods backups have an unbelievable roster of talent on pencil: Walt, Frank Miller, Steve Ditko, Dave Gibbons, Jim Lee, Art Adams et. al. I'm not sure if it includes all of the backups, or simply reprints the Tales of the New Gods trade, but I don't believe anything's missing. It includes a Steve Ditko/Mark Millar backup I wasn't familiar with, but it didn't include Steve Lightle's unpublished backup. It does include Walt's New Gods Secret Files short story.



As for the main content, Orion #11 is my favorite single issue ever and the rest of the work is of that caliber (maybe the Wolfram arc suffers in comparison, I gotta re-read it). I flipped to my favorite moments from the series and it's absolutely wonderful seeing this in a larger format, in clean pages that aren't graying. Darkseid putting a gun to his head, the Death of Desaad (another instance where including the cover copy would wow new readers, as that was a huge bait and switch), the Sirius story, and the greatest sequence of pages I've ever seen in the tail end of issue #11. Everyone's probably seen the technicolor splash page but there are some monster pages that lead up to it. Simonson, Bob Wiacek, Sherilyn Van Valkenburgh, Tatjana Wood and John Workman all made one of the best looking books ever. Walt wrote one of the best comics ever.



One weird item: I was unable to find anywhere in the book the logo used for the Orion series. It wasn't a great logo or anything (not bad, though), just a little odd not seeing it. It was a classy move to put a huge reproduction of Walt's signature on the spine, maybe that's where the logo would've been otherwise.

Wednesday, April 01, 2015

John Wagner and Kev Walker's Judge Dredd 2

Kev Walker (aka the best Dredd artist ever) is on the thrill cast talking about his career with 2000ad, Mandroid, Stallone's Dredd film and his work with it ("sometimes things don't work no matter how much money you fill them with"), his Marvel work, coloring in comics, John Wagner being a master (I'm nodding my head), and the collaborative process that's comics. It's interesting that he cops to painting because of the success Biz was having, and that he moved to Mignola's style because he didn't want to do crazy detail anymore.
Gosh I LOVE Walker's Dredd. Walker's absurd chin that's bigger and wider than anyone else's, the aged look he gives Dreddy, the dour coloring and constant shading of the Judges and their constant, dire presence. His Justice dept seems to both discipline and infest the Meg.

John Wagner and Kev Walker's Judge Dredd 1

Have been obsessing over the following sequence by Kev Walker and John Wagner for a while.  Sums up everything about Dredd: looney perps (scramola!), Dredd's stoicism, his unflinching administration of justice, and how even those saved aren't unaffected (Kev Walker is breathtaking here).  Wagner has been on like a 30 year hot-streak, it's unbelievable.  Kev Walker draws old Dreddy perfectly, dented chin and efficiently brutal.  Love how Wagner and Walker give the sequence a real urgency, as Dredd has to scavenge a weapon after his ran out of ammo.

Favorite panel is Dredd rendered almost entirely in black (you see the helmet visor), wasting a perp, and the laconic narration.  Dredd's face is never shown in the comics - because "justice is blind" and all that, but Walker and Wagner take it a step further here, obscuring him almost entirely.  Identifiable only by the visor, maybe they imply, at least where Dredd is concerned, that the law is all-seeing too.  I may be too far in the weeds here.

Anyways, in America, it took Wagner pages and pages (not that I'm complaining, and that's a brilliant work) to do what he manages in a few panels here.  Wagner, like Dredd (they're one and the same!) are getting terser, more efficient with age.  Mindblowing.



Wednesday, April 17, 2013

Superman 13

Superman 13: They Will Join You in the Sun

Original Solicit
Published Cover
Taking its title from a Grant Morrison line that appears in the upcoming Man of Steel film (via All-Star Superman), the second issue of Lobdell and Rocafort's Superman places the action back on earth.  The cover asks: "Who is the fallen angel of Krypton?"

The book's revelation spotlights the character H'el, originally the New 52's Bizarro, floating above an arguing Kara Zor-El and Kal El, who are unaware of his presence.  It's certainly a neat trick to hide in plain sight from these two.

The issue reads as two separate stories.  The first half of the issue is placed mostly on Metropolis, perhaps to humanize the book after the Kryptonian adventures in issue 0, and the second half is a Kal vs Kryptonian Dragon story.

Kenneth Rocafort again outpaces much of his peers and is one of the rare breed of gifted illustrators who are able to seamlessly integrate stellar cartooning into their illustrative work.  After the polygonal all out action in the 0 issue, Rocafort focuses almost all of the panels where sci-fi/fantasy/superpowers aren't involved into conventional rectangular layouts.

Much was made about Clark quitting The Daily Planet but it doesn't ring out as a gimmick in the story. Lobdell talks about this in interview:
"Rather than Clark be this clownish suit that Superman puts on, we're going to really see Clark come into his own in the next few years as far as being a guy who takes to the Internet and to the airwaves and starts speaking an unvarnished truth." - Scott Lobdell
Rocafort's outstanding cartooning ...
Cat Grant is utterly moved after Clark lays into his boss Morgan Edge, while the rest of the crew wants to keep their job
The Clark Kent/Cat Grant duo may seem odd at first glance, as Lois is the obvious choice, but Scott Lobdell's made a career out of odd pairings; his latter-day X-Men run focused on Marrow and Cecilia Reyes (among others), and his Age of Apocalypse work centered around Blink, Morph, Sabretooth and Wild Child, Sunfire and Rogue.

Lobdell does spice up Clark's personality a bit as Clark uses his powers to see what Lois is texting about, shows Clark having a funny moment with Cat after they're both no longer employed by the Planet, and makes Kal overjoyed when Kal's found out he's able to sweat; these are all interesting character moments, and there's some genuine (if one-sided) humor during the Clark/Cat scene.
"If we don't mean something, then we're meaningless."
New 52 Thinker Cat Grant
In the sense that Lobdell wants to give us both character moments and action in the same book, I'm all for a second half of action, especially after a great first half of character scenes.

The dragon part of the story is ten of the twenty allotted pages for the book and, unfortunately, is where the issue falls apart story-wise.  A Kryptonian dragon is in Metropolis and smacks Kal El to Ireland, proceeds to follow him to Ireland almost instantly but, luckily, the dragon has "decaying" DNA, so it's ok for Kal El to kill it with, luckily, an underground oil lake, even though not moments earlier it survived a huge punch from Kal (to say nothing of its ability to cross-continent travel just seconds before) and Kara Zor El, follows them to the area where this all happens.  Lobdell hangs his hat on a lot of luck and, only two issues into the run, it's pretty disappointing turn after a brilliant first issue and a good first half.  I'm not sure what the point of fighting the dragon was, outside of Kara coming to the conclusion that Krypton didn't die.

When people complain about Scott Lobdell comics, the second half of this issue is the sort of haphazard storytelling that they seem frustrated about.  I'm all for hyper-compressed stories, dizzying action, but it's constructed as a vehicle to set Kara apart from Kal, and ten pages to make that point, along with the way it's made, is simply a chore.

After a spectacular issue 0, filled with intrigue, adventure, and an interesting first half, the issue is derailed once the dragon shows up.  Hopefully the H'el on Earth story offers more than mindless punching, killing, and plotting.  However, the Clark Kent portions are outstanding.

Concepts:
  • Kryptonian Dragon with decaying DNA
  • H'el can hide in plain sight from Kal and Kara
  • Kara Zor-El and Kal El are not the last Kryptonians
  • Kara believes Krypton is still alive
  • Truly testing Kal's strength would require a pan-dimensional wormhole, which the Graviton Matrix is capable of in its "second gear"
  • Clark's super-hearing works as sonar to form images in his head
  • Clark Kent and Cat Grant no longer at the Daily Planet
  • Clark Kent isn't above snooping on people he cares about
  • Kal El never experienced sweat, is excited that he can sweat like a normal person
  • Jimmy Olsen: Worst Roommate on earth
  • Lois/Clark: Best Friends with no benefits
  • Dr. Veritas is a new character, a sort of Emil Hamilton figure it seems, and she's tasked with assessing Kal El's physiology/powers
Yea:
  • Kenneth Rocafort adds his entry into the "Superman punching through a wall" gallery
  • Clark Kent/Cat Grant as a team
  • Kenneth Rocafort cartooning/illustration
  • Superman mentions that half the planet thinks he's an advance scout for an alien race; or, the Justice League cartoon's Hawkgirl
  • Jimmy Olsen: Worst Roommate on Earth
  • Clark spying on Lois' text
  • "The head is out cold, but its paws are trying to kill me!"
  • Clark wearing red underpants, a nod to the missing ones in the New 52
Nay:
  • The pointless Dragon fight, drags the entire issue down
  • I like the effort to have another bizarre creature like the Herald in issue 0, but the Dragon held little purpose other than convincing Kara Krypton isn't dead.
  • Pace crawls once Krypton Dragon shows up
  • The solicited cover is colored differently than the published cover.  Not a Nay by itself, but it's certainly odd considering that the solicited cover was provided to major media outlets and the issue on stands looks different.  I'm not sure if this is just a simple matter, or maybe indicative of last minute changes.
  • Unless the Dragon is the Fallen Angel of Krypton, we don't get an answer
First Half: 88/100
Second Half: 40/100

66/100